Biopic Script

"KISS COMES ALIVE: The Rise And Fall And Rise of The Hottest Band In The World."

by Zee Dee

213.785.7272

LOGLINE: Four unknown outcasts from New York City become the most popular band in the world after creating the most innovative rock and roll spectacle ever seen, then struggle to maintain the success amidst internal problems within the band.

MAIN CHARACTERS:

GENE SIMMONS (white male, 20's): At 6 foot 2 inches with long hair he's quite an imposing figure. English is his second language but is very articulate and enunciates to textbook perfection. He's admitted publicly that he felt like an outcast growing up since he didn't speak English; and wanted, "power," so he didn't get picked on. Gene wants all the marbles. He's abrasive and arrogant and even though he's not the oldest member of KISS, he comes off like a lecturing parent. Gene is obsessed with scoring the next groupie and has no standard whatsoever. If it's a living female body, Gene wants her in his relentless conquests.

PAUL STANLEY (white male, 20's): Paul has one deformed ear and is deaf in that ear. It made him an outcast growing up and he's aware of that. He keeps his hair long to cover up the deformity. He's soft spoken and comes off child-like (like Mr. Rogers) when he speaks. He's a control freak. Paul doesn't have a good thing to say about anyone. He's constantly trying to justify that he knew it all along, if something turns out wrong. (Nothing is ever Paul's fault.) And, he's quick to blame the guilty party. Paul has admitted, publicly, that he believed if he made it as a famous rock star that all the people who were mean to him growing up would regret it and want to apologize. He's lonely and believes fame and scoring groupies will cure it.

PETER CRISS (white male, 20's): Dropped out of school and he can't read. As a result, he often thinks people are trying to give him the short end of the stick and comes off as irrational and paranoid. Though he can be an upbeat person and life of the party; he can also be a highly temperamental person who complains about anything and everything. As KISS becomes more and more famous, Peter's alcohol and drug addictions grows and interferes with his ability to function within the band.

ACE FREHLEY (white male, 20's): A thin, rubbery looking figure. Very quirky and socially awkward. Doesn't like to speak, much and will answer a question with a shoulder shrug. But, when he's comfortable in a situation he's a funny guy who likes to tell jokes. He often drinks too much and then becomes very outgoing (and obnoxious). He appears to be stumbling, even when he isn't drunk. A happy go lucky guy. Ace's alcohol and drug addiction grows as the band becomes popular and also interferes with his ability to function within the band.

BILL AUCOIN (white male, 30's): Discovers KISS and becomes their manager. A suit and tie executive. He shares the vision for KISS to become the biggest band in the world; and keeps the band moving forward. Bill uses his own personal credit card to launch the band and keeps it going in early years. Bill envisions and creates and markets a plethora of KISS products; and is more concerned with the album cover artwork than the music on the album. He spends a lot of time trying to placate the egos of each member of the band, especially Peter and Ace. He's a stable guy and calls the shots for KISS. The band members respect him.

SYNOPSIS: In 1973, Four aspiring rock musicians (Gene Simmons, Paul Stanley, Peter Criss and Ace Frehley) decide to create a larger than life rock band using Kabuki style face make-up and wild costumes to create individual characters; and create the ultimate stage show, as never seen before, using fire; explosions and sensory-assaulting flashing lights among other theatrical effects.

The band records their first album and tours as a club act; then as an opening act for established bands. Word of mouth spreads about this wild group with crazy make-up and flashy stage-show. 

The first album flops; as do their next two studio albums. They then release a LIVE album in hopes of capturing the sound and feel of their concerts which the studio albums lack. The LIVE album is a big hit; eventually selling four million copies and the band becomes a headlining act to large crowds. 

Their success grows and grows as they release a string of successful albums and continue to tour to bigger and bigger audiences.

As each band member becomes a famous millionaire, personality conflicts and alcohol/drug problems lead to founding members Peter and Ace leaving the band.

Gene and Paul keep KISS together with a revolving door of replacement members but the bottom falls out regarding album sales and concert tickets. Feeling that times have changed and the makeup and lavish costumes have run their course, KISS drops their iconic makeup and wild costumes. 

Though they continue to release albums and tour through the 80's and early 90's fans miss the original line-up with makeup and interest in the band remains lackluster.

In 1995, after years of albums and concert tours, MTV invites KISS to do an 'Unplugged' (acoustic) concert. Original members Peter Criss and Ace Frehley are invited on stage for a couple songs. The crowd goes nuts. 

Based on the overwhelming reaction, the four original members agree to a reunion tour with the legendary makeup; costumes and stage show.

The legend and myth of the original KISS grew over the years and the first show of the tour at Tiger Stadium sells-out 45,000 tickets in 45 minutes. The magic is back with the original KISS on tour playing to bigger audiences than ever with bigger explosions than ever. And, once again, KISS is the hottest band in the world.

OUTLINE: It's 1973 and bassist Gene Simmons and guitarist Paul Stanley, two outcasts from New York City, are introduced at a party by a mutual musician friend. Both are songwriters, confident in their abilities, and each hopes to become a successful rock star. 

Gene plays a song he wrote for Paul. Paul thinks it's a goofy song. Then, Paul plays an original song for Gene. Gene, who has an obnoxious ego, is taken aback that someone other than himself could write a song; but admits it's not bad. 

The two don't really like each other (especially Paul doesn't like Gene); but they agree they're better off embarking on a rock and roll journey together than individually. (Paul believes the sum is greater than its parts). 

They need a drummer and see a classified ad by a drummer, Peter Criss, saying, "willing to do anything to make it." Gene replies to the ad with a phone call and asks if he would wear make-up or even a woman's dress. Peter says, "yes," and auditions for the band.

Though not the type of rock drummer Gene and Paul have in mind (they want a British style drummer like John Bonham of Led Zeppelin) he has a jazzy style that sounds good, anyway.

 

During the audition Peter makes some off-color remarks about his, "nine inch appendage." Paul finds this to be a weird thing to say and he thinks Peter is dumb. (Peter can't even read). But, he looks cool and is added to the band. 

Paul realizes he's not a good enough guitarist to play lead solos so they take out a classified ad auditioning for a lead guitarist with, "flash and ability." 

At the audition while Gene and Paul are talking to a guitarist they liked and were close to hiring, another guitarist, Ace Frehely, crashes the audition by stumbling over to the amp. He plugs in his guitar and starts playing without even introducing himself or waiting for his turn. 

This pisses-off Paul and Gene but Ace's playing sounds really good. They know immediately Ace has the sound and ability they are looking for. Gene and Paul don't hesitate in picking Ace to join the band. Paul notices Ace is quirky and socially awkward. Ace blurts out weird quotes (like Curly of, 'The Three Stooges') and tells a joke tagged with loud laughter instead of giving straight answers. But, Gene and Paul cannot deny his lead guitar ability and sound he brings to the band so they endure his quirkiness. 

Inspired by rock superstar Alice Cooper who wears some Halloween type make-up and incorporates stage show theatrics as no one else; Gene and Paul have an idea to take it to the next level. 

They decide to use make-up to create individual characters based on their personality that completely covers their faces, hiding their identity altogether. And, they dream up a stage show with theatrics that will be a total assault of the senses. Like Alice Cooper on steroids with fire, explosions, flashing lights and louder than anything anyone has ever heard. Gene spits (fake) blood; breathes fire; and (eventually when playing bigger arenas) flies through the air to the top of the rafters. 

Each member creates their own make-up character: Gene becomes a demon based on his love of dark science fiction and comics. Paul, who wants to be the ultimate rock star, paints a star on his eye. Peter, who claims to have escaped death many times in his life, felt he must have nine lives so he becomes the Cat Man. And, Ace, who jokingly always claims to be from another planet, becomes the Space Man.

They throw around a bunch of names for the band, and Paul suggests, "KISS." The other members immediately like the name. 

Ace, who is an artist, designs a special KISS logo. The other members like it and use the logo on all promotional material -- and make a giant lighted backdrop they plan to use on stage. 

The band starts writing and rehearsing songs in hopes of securing a record contract. The songs are all hard rock played very loud. KISS records their first demo. 

A showcase concert is booked at the dumpiest club in New York City. Gene sends out invitations to anyone and everyone in the music industry. 

Entertainment executive Bill Aucoin attends the show and is blown away by the music; make-up and (then limited) theatrical concept. He believes he can land them a record contract within a month or they can walk away and try with someone else. The band agrees to give Aucoin a shot. 

Aucoin takes the demo to Neil Bogart's Casablanca Records. Casablanca (backed by Warner Brother Records) signs the group and KISS records their first album. 

Warner Brothers liked the album but not the concept of KISS' make-up and told Bogart they would not promote the group. 

Bogart asks Aucoin if KISS can drop the makeup to appease Warner Brothers but KISS absolutely refuses. Neil still believes in the group so he talks Warner Brothers into letting Casablanca out of its contract and goes it alone as an independent label. 

No Warner Brothers backing means no money for the band. Aucoin uses his own personal credit card to fund the band's expenses and stage shows. 

The album flops and doesn't get any radio airplay but the band goes on tour opening for bands like Black Sabbath. 

Word of mouth spread about this wild group with crazy make-up and flashy stage show theatrics. Crowds are getting bigger. 

Bogart/Casablanca Records wants a second album to be recorded since the first one flopped. The second album also flops. Then a third album flops. 

However, the band becomes more and more popular with concert goers through constant touring.

The band is never photographed without their makeup and this adds to their mystique. No one knows what any of the four members actually look like. It's a better gimmick than Barnum & Bailey could have ever conceived. It creates a true media frenzy in an attempt to snap a picture of any band member without makeup. 

Dick Clark books KISS on his ABC-TV concert special as their first TV appearance. 

The problem KISS has is that the albums don't capture the excitement of the live concert experience. The albums sound wimpy in comparison. 

Instead of recording a fourth studio album, a live album, "Alive," is released. The album does indeed properly capture the big sound of a KISS concert and the album cover features some great pictures of the theatrical stage show. 

"Alive" is an immediate success. The crowds get even bigger and the album just keeps selling. KISS is now a Platinum selling recording act. 

Money pours in and each member of the band becomes a millionaire. Each member indulges their every wish. 

Gene becomes a sex addict spending all his time scoring with groupies. Paul begins to date high profile models and actresses.

However, the success of the band has negative impacts, creating conflict. Peter and Ace develop massive drinking and substance abuse problems. 

Peter is injured during a car accident while driving drunk. Ace regularly gets into car crashes with his expensive sports cars. One time Ace leads police on a chase that resembles the famous car crash scene in, "The Blues Brothers." 

Peter and Ace's constant intoxication begins to interfere with the playing during concerts. And, during the recording of follow-up albums; Peter and Ace can't even play or don't show up at all. 

Gene and Paul are furious about this. They have a tremendously disciplined work ethic and don't drink or do drugs. And Peter and Ace don't like the bossy, controlling nature of their equal bandmates, Gene and Paul. 

Gene and Paul don't want to be slowed down and waste expensive studio time waiting for Peter and Ace; so they begin using studio session players for Peter's drums and Ace's guitar for the next three studio albums, as needed.

Though Peter isn't a contributing songwriter, he writes and sings an original song called, "Beth." It's a ballad that doesn't have any drums or guitars. It has piano and orchestral strings and sounds like a Barry Manilow song -- not at all like a KISS song. They throw it on the "B" side of the lead single, "Detroit Rock City." The band never expected "Beth," to be played by radio. But, Top-40 radio stations flip the single over and play, "Beth," instead of, "Detroit Rock City." 

"Beth," not only becomes KISS' biggest hit; but is the number one song of the entire year and even wins the 1976, "Peoples' Choice Award."

KISS is now bigger than they could have ever imagined with a song they never intended to become a hit. Album sales skyrocket and so does the demand for KISS concert tickets.

This goes straight to Peter's head. Any time Peter doesn't get what he wants he threatens to quit the band. He is now always complaining about anything and everything -- and feels that Gene and Paul are jealous of him and are making things hard for him. (Even though Peter is the one too drunk and drugged up to function.) The manager has to constantly placate Criss' demands.

Although the band is hugely popular with its fans, KISS does not get respect from the press; FM rock radio DJs; or the fans of other respected rock groups like Led Zeppelin. This is largely due to the make-up that KISS wears that is seen as clownish. Many KISS fans tell stories of being beaten up just for being a fan of the band. 

Manager Bill Aucoin is a marketing and merchandising master. There is no product that can be imagined that Aucoin doesn't turn into KISS merchandise: The KISS lunchbox; KISS radio; KISS dolls; KISS makeup kits; The KISS comic book; KISS trading cards. He floods the marketplace with this cheesy merchandise aimed at kids during Saturday morning cartoons.

Aucoin says the band sold $100 million in merchandise sales between 1975-1977. But, things like the KISS doll definitely hurt the band's credibility, even more, with critics and rock fans. 

After three more studio album releases in just two years (1976, 1977) another live album, "ALIVE II," is now released. 

The album artwork features a picture of KISS' stage show with all the fiery effects blown off at once -- and the band levitating on hydraulic risers. It becomes a classic photo and does more to sell concert tickets than the music ever could. Three sides are live versions of songs from the previous three studio albums. The fourth side contains newly recorded studio tracks. 

Peter and Ace are so wasted, all of the time, at this point that KISS has to secretly hire outside studio musicians to play on the new songs. Peter  and Ace only play on the one song that Ace wrote and sings on, "Rocket Ride."  

"ALIVE II," is a huge success and the band is playing to sold-out shows, for multiple nights across America and the world. 

KISS is now the most popular band in America based on the "Gallup Poll," in 1977.

But, Ace is sick of the rigorous, non-stop touring that Gene and Paul demand; and is embarrassed by the kiddie image and all the toys and dolls and comic books and merchandise. Ace tells manager Aucoin he wants to quit the group to pursue a solo career. 

Aucoin will do anything to keep the original four members (and money makers) together. So, he suggests that all four members take a break from the group and record four individual solo albums.

The idea is good enough to keep Ace from quitting the band. Peter also likes the idea of recording a solo album because he feels he's the most important band member since he is responsible for the band's biggest hit, "Beth," and feels he is being kept down because of Gene and Paul's jealousy. And, Gene and Paul like the creative freedom to pursue a music direction and ideas outside the confines of KISS.

They release the four solo albums on the same day to massive hype and hoopla. Ace Frehley has the only real hit of the four members with, "New York Groove," and his album is the only real success. 

Casablanca printed and released way too many records into stores and most ended up being shipped back. Casablanca nearly goes bankrupt as a result. 

Gene and Paul, the control-freak leaders of the band who sing most of the songs, were expected to have the biggest selling solo albums. Ace was expected to tank due to his drug use/alcoholism and lack of work ethic. This drives a further wedge into the band. Ace is sick of Gene and Paul being so bossy and controlling of Ace. 

KISS records their next studio album, "Dynasty," which includes the hit, "I Was Made For Loving You." It's a disco song to capitalize on the overwhelming popularity of disco music in 1979. Even credible groups like Rod Stewart and Rolling Stones recorded disco type songs. 

KISS also changes their look from a dark; black leather clad image to a colorful, flamboyant image. Each member is assigned their own color scheme. Paul Stanley now wears lavender fur as part of his outfit. He looks like the rock and roll Liberace. 

"I Was Made For Loving You," is a worldwide number one hit. The song is huge and attracts a whole new fan base. KISS prepares to play to their biggest crowds, yet; expecting to be adding extra nights in each city compared to previous tours.

However, the song and album isn't the type of hard rock music many long-time KISS fans appreciate. Disco is disliked by rock fans. Paul notices the fans are now young kids being brought to the concert by their mothers. The band is being compared to a circus act or, "Disney On Ice." Long time fans no longer want to attend a kiddie show. Crowds are getting smaller, not bigger.

Instead of adding extra nights; shows aren't even selling out. For the first time, KISS is in decline mode. 

Peter Criss becomes too difficult for the other three members to deal with. One night, Peter gets upset during a concert because Gene and Paul are standing in front of his drum set. (Even though he is on a riser and isn't being blocked.) He begins slowing down and speeding up the tempo which screws up the band's playing. This, during a live show, in front of paying fans is more than Gene and Paul will tolerate. Even Ace, who is basically Peter's brother and close band mate, agrees that Peter has to go.

They tell manager Bill Aucoin that they want to fire Peter and come off the road, cancelling the remaining dates.

Aucoin convinces the band not to say anything to Peter, yet, and to finish the remaining tour dates. The band agrees and they reluctantly finish the Dynasty tour. 

The band records their next studio album, "Unmaksed." Peter doesn't play on the album but is used for the album cover and a music video to keep up appearances that the band is still in tact. 

Ace has limited involvement with the album and studio musicians are used again. The album is a huge flop and virtually disappears overnight. 

Peter leaves the band after "Unmasked," and is replaced with a new drummer, Eric Carr. Eric is a much better, hard rocking drummer in the style of John Bonham (Led Zeppelin) that gives the band more credibility. 

But, having an original member replaced is a tremendous disappointment for fans no matter how much better Eric sounds.

The next album, "The Elder," is even more of a disaster. It's a concept album designed to be a critical masterpiece to gain KISS the respect of critics. They once again change their look with new hair styles and costumes. The new look is weird and uncomfortable for fans to accept.

It practically ends the career of KISS. Ace, who was against the concept album, finally leaves the group with deep embarrassment as a result. 

For the first time, KISS releases an album but doesn't go on tour to support it. 

They try to recover by recording another studio album, "Creatures Of The Night." They use various session guitarists to replace Ace. The album is back to hard rock roots and is actually considered a good comeback album. Manager Aucion, not wanting fans to know Ace left KISS, pays Ace to keep his absence a secret and he appears on the album cover; in the music video; and even media interviews about the upcoming tour that he won't be a part of.

Vinnie Vincent, who co-wrote and plays on some of the songs for the album is chosen to be the permanent replacement guitarist for Ace Frehley and KISS embark on another concert tour.

Although the album is much better than anything KISS did in years; too much damage was done to their U.S. fanbase in recent years. 

The band embarks on a disastrous U.S. tour. In cities where KISS once played multiple sold-out nights at 15,000-20,000 seat arenas; they are now playing single nights to crowds of 1,000-2,000. The tour hemorrhages money and is cut short.

With only two original members (Gene and Paul) and all the image problems of recent years; the band decides to take off their makeup and reveal themselves sans makeup for the first time, ever. The unmasking takes place during a highly promoted MTV press conference. 

But first, longtime manager Bill Aucoin is fired by Gene and Paul due to Bill's out of control drug problem that is affecting his ability to function as manager. And, Bill doesn't agree that the band should take off the makeup.

However, taking off the makeup is a move that pays off because the next KISS album (the first KISS album without the band wearing makeup), "Lick It Up,"is their biggest selling album in years and goes gold.

Vinnie Vincent has always been a nightmare for Gene and Paul to deal with due to his huge ego even though he is just a low paid hired employee (not even a full member like Gene and Paul). 

One night Vinnie goes too far and scolds Paul, onstage in between songs, for cutting him off during a self-indulgent, extended guitar solo that wasn't called for -- and Vinnie is fired.

KISS goes through a revolving door of guitarists over the following years. And, Eric Carr has to leave the band due to health problems and another drummer, Eric Singer, is hired as his replacement.

Gene loses interest in the band as he pursues an acting career. Paul is left carrying the torch as main songwriter. The band continues to record new albums and still tours. But, all anyone cares about and the only questions fans ever ask is, "Will the original band ever reunite with full makeup?" 

The legend of the original KISS only grew over the years with new generations of people -- and the desire for a reunion remains with longtime fans, as well.

In 1995, MTV invited KISS to do an, "Unplugged," concert with the current line up of Gene Simmons, Paul Stanley, Bruck Kulick and Eric Singer (not to be confused with Eric Carr). 

Much to the surprise of fans, Peter Criss and Ace Frehley are invited on stage for a couple songs. The band isn't wearing makeup at this point; and it's just an unplugged (acoustic) show with no theatrics and no loud electric guitars. But the crowd goes nuts with the announcement and appearance of Peter Criss and Ace Freheley once again on stage with Gene and Paul. 

At this point there is non-stop speculation that the, "Unplugged," reunion will lead to a full reunion of the original four members for a tour with makeup and the famous stage show.

Time healed the wounds that broke up the band. Ace and Peter are not boozing and drugging as they used to. 

Gene doesn't feel there is a strong demand for a reunion tour with the original members in makeup. But, he is eventually convinced by Paul and concert promoters that the demand is there. The four members love the idea that all the attention and money of a reunion is expected to attract. (Especially Peter and Ace who are practically broke by now.) 

So, the full scale reunion tour is announced. No one knows exactly how big the tour will be. One night at an arena? Two nights? Was it to the level of selling out stadiums like only a few bands in the world are able to do? 

Paul estimates the tour will draw about 10,000 per show. But, current KISS manager Doc McGhee believes the demand is much bigger. He rolls the dice and puts a concert at Detroit's Tiger Stadium on sale. The 45,000 seats sell out in 45 minutes much to the surprise and delight of the band. So, instead of arenas, a world-wide 1996 stadium tour is booked. 

Peter and Ace are very rusty and have to learn their parts again which requires a lot of work. A music teacher has to work with Peter and Ace to re-learn their parts. And, a physical trainer is hired to help them get into shape.

Pete, as usual, complains about having to work with a teacher and trainer and lashes out at them. 

But, by showtime in, "Detroit Rock City" (Tiger Stadium), the band looks and sounds great with bigger on-stage explosions and a bigger stage show than ever before. And, once again, KISS is the hottest band in the world and bigger than ever.

The End

###

PART ONE OF THE FULL SCRIPT:

[NOTE: GENE KLEIN (AKA: GENE SIMMONS) AND STANLEY EISEN (AKA: PAUL STANLEY) HAD NOT CHANGED TO THEIR STAGE NAMES, YET, DURING THE FIRST FEW SCENES OF THIS SCRIPT. BUT, TO KEEP IT SIMPLE FOR THE READER, STAGE NAMES ARE USED.]

"KISS COMES ALIVE: The Rise And Fall And Rise of The Hottest Band In The World."

by Zee Dee

213.785.7272

GENE SIMMONS (White male, 20's.) At 6 foot 2 inches with long hair he's quite an imposing figure. English is his second language but is very articulate and enunciates to textbook perfection. He comes off as abrasive and arrogant. He thinks he's better than everyone else and is highly self-centered. He comes off like a lecturing parent. Gene wants all the marbles.)

PAUL STANLEY (White male, 20's. Has one deformed ear and is deaf in that ear. It made him an outcast growing up and he's aware of that. He keeps his hair long to cover up the deformed ear. He is soft spoken and comes off child-like, like Mr. Rogers, when he speaks. He's a control freak. Paul doesn't have a good thing to say about anyone. He's constantly trying to justify that he is right, and knows it all along, if something turns out wrong. And, quick to blame the guilty party. A Mr. Know It All. He believes if he makes it as a famous rock star that all the people who were mean to him growing up will regret it and want to apologize. He's lonely and believes fame will cure it.)

PETER CRISS (White male, 20's. Dropped out of school and he can't read. Though he can be an upbeat person and life of the party; he can also be a highly temperamental person who complains about anything and everything. He often thinks people are trying to give him the short end of the stick and comes off as irrational and paranoid as a result.)

ACE FREHLEY (White male, 20's. A thin, rubbery looking figure. Very quirky and socially awkward. Doesn't like to speak, much and will answer a question with a shoulder shrug. But, when he's comfortable in a situation he's a funny guy who likes to tell jokes. He often drinks too much and then becomes very outgoing. But, in an obnoxious, over-the-top way with lots of loud laughing and no one will get a word in edgewise. He appears to be stumbling, even when he isn't drunk. A happy go lucky guy.)

STEVE (White male, 20's. A musician who is friends with both Gene and Paul.)

BILL AUCOIN (White male, 30's. Discovers KISS and becomes their manager. A suit and tie executive. Has a vision for KISS and keeps the band moving forward. Spends a lot of time trying to placate the egos of each member of the band, especially Peter and Ace. He's a stable guy and calls the shots for KISS. The band members respect him.)

NEIL BOGART (White male, 30's. Owner of Casablanca Records who signed KISS to his record company.)

FADE IN: PARTY AT MIKE'S HOUSE. HE INTRODUCES TWO OF HIS MUTUAL FRIENDS TO EACH OTHER, GENE SIMMONS AND PAUL STANLEY.

STEVE

Gene, this is my friend Paul Stanley. Paul is a singer/songwriter, too.

GENE

(Smug and arrogant) Oh, really? You write songs? 

PAUL

Yeah, why? Are you, Paul McCartney and John Lennon the only three people in the world who can write a song?

GENE

No. Other people can write songs. But, we're the only three who write good ones.

PAUL

Care to let me hear one?

GENE

Not unless I'm getting paid or laid.

PAUL

Well, that's not gonna happen?

GENE

What type of songs do you write? Nursery rhymes? How about some, "Mary Had A Little Lamb?" 

PAUL

You're really one of a kind. I've never met anyone so proudly arrogant and smug.

(STEVE CUTS IN TO BREAK IT UP)

STEVE

Whoa! You're both talented songwriters. You should bury the hatchet before someone's head gets cut off and try collaborating.

GENE

I'd be glad to help you out, Paul.

PAUL

Steve, where did you find this guy? Looks like he fell off a turnip truck. I better agree because he's never gonna make it on his own.

GENE

Smart move on your part because I'm going straight to the top.

CUT TO: GENE'S HOUSE

GENE AND PAUL ARE STANDING IN GENE'S ROOM WITH THEIR GUITARS. GENE PLAYS BASS. PAUL PLAYS ELECTRIC GUITAR.

GENE 

Here's a bass line that grooves.

(Gene starts playing.)

GENE (cont.)

(Sings) Baby, if you're feeling good

Yes, baby, if you're feeling nice

You know your man is workin' hard

He's worth a deuce.

(STOPS PLAYING)

PAUL

Sounds like a song about a hooker.

GENE

It is. They say you should write about things people can relate to. Let's hear one of your songs.

PAUL

(Starts playing guitar and sings)

I know a thing or two about her

I know she'll only make you cry

She'll let you walk the street beside her

But when she wants, she'll pass you by

Everybody says she's lookin' good

And the lady knows it's understood

Strutter.

GENE

Not bad. 

PAUL

Not bad? I'm sorry you didn't write it. I'm sure you'd like it much better.

GENE

Do you like Alice Cooper?

PAUL

Yeah. I like his theatrical approach. Not just your typical schleppy rock star.

GENE

I want to create a band that takes Alice Cooper to the next level. He paints his face with some make up and has some basic stage effects. But, I'm talking something much bigger. 

PAUL

I'm sure we can do much better. 

GENE

I'm a fan of science fiction, horror movies, comic books. I want to create the biggest rock and roll show the world has ever seen. Full Kabuki style makeup. Flashing lights. Fire. Explosions. And, louder than anything anyone has ever heard. A total assault of the senses. A band should give people their money's worth.

PAUL

And, how about costumes like you don't see walking down the street, everyday? Not just a bunch of guys walking on stage in their regular street clothes. Something that demands attention.

GENE NODS IN AGREEMENT

GENE

You might be worthy of my time, after all.

PAUL

I always thought of myself as a solo artist. But, maybe it's a good idea to join forces. The sum being greater than it's parts. 

GENE

Let's see if we can find a drummer who shares our vision. 

CUT TO: GENE AND PAUL AT THE STREET CORNER NEWSSTAND. THEY PICK UP A VILLAGE VOICE NEWSPAPER AND LOOK THROUGH THE CLASSIFIED ADS.

GENE

Look! It says, 'drummer willing to do anything to make it.' Let's give this guy a call.

GENE AND PAUL WALK OVER TO A STREET PAYPHONE. GENE PICKS UP THE PHONE, INSERTS A DIME, AND STARTS DIALING.

CUT TO: PETER CRISS AT HOME

PETER

(Answers Phone) Hello?

GENE

My name is Gene Simmons. I'm calling about the ad for a drummer looking for a band. Are you Peter?

PETER

Yeah.

GENE

It says in the ad that you're willing to do anything to make it. Would you wear makeup on your face?

PETER

(confused) Yeah.

GENE

Would you wear a woman's dress?

PETER

If it pays the bills, I'll do anything. Like it says in the ad.

GENE

Where are your drums set up?

PETER

Here at home?

GENE

When can my bandmate and I come over?

PETER

Come over, now. 

CUT TO: Gene and Paul with their guitars and Peter behind his drums. 

PAUL

(To Peter) Know any Zeppelin?

PETER

How about Buddy Rich?

PAUL

We're a rock band, not a jazz band.

PETER

Just start playing and I'll jump in.

GENE AND PAUL START PLAYING. PETER JOINS IN.

THEY SOUND GOOD TOGETHER. THEY JAM FOR A LITTLE THEN STOP.

PAUL

We were expecting a more traditional English style drummer, like John Bonham. 

PETER

(To Gene) Your friend is a real charmer.

GENE

He's not my friend. I have a goal and Paul thinks he can help me get there. Right, Paul?

PAUL

That's an interesting way of looking at it. But, Peter (beat) though you're not John Bonham you do have a certain style that fits in good with us. And, at least you have long hair and cool looking clothes. You wanna join the group?

PETER

Sure, why not? I'm not making any money in my current band, anyway.

GENE

I happen to know I'm going to launch what becomes the biggest band the world. 

GENE PUTS PETER IN A FRIENDLY HEADLOCK

GENE (cont.)

Stick with me, kid, and you'll be rich and famous.

PAUL

It's not just gonna be a band. But, the greatest rock and roll show anyone has ever seen. 

PETER

How much does the gig pay?

GENE

It pays in the dignity, hope and promise of knowing that you are joining up with the greatest rock stars you'll ever know.

PETER

When are those guys coming over to offer me a job?

GENE

(To Paul) I like this guy. He's got attitude.

CUT TO: GENE AND PAUL ON THE STREET IN FRONT OF GENE'S HOUSE.

PAUL

I consider myself a good songwriter and rhythm guitar player. But, I can't play lead solos. I spent a lot of time practicing and it's not the level we need.

GENE

Practice makes perfect. Just look at me.

PAUL

Trust me. I've spent a lot of time trying. It doesn't pay off with much improvement, if any improvement at all. 

GENE

If we have to add a fourth band member that will mean less money for us. 

PAUL

I don't think we'll make it to the top, otherwise. We need to enhance our sound and have a killer lead guitarist like Deep Purple or Led Zeppelin. Check the classifieds again for a lead guitarist.

GENE

That's too limiting. I'll spring for an ad in the Village Voice. We need a cattle call. 

CUT TO: REHEARSAL SPACE WHERE GENE, PAUL AND PETER ARE AUDITIONING GUITARISTS. GENE AND PAUL ARE TALKING TO GUITARIST BOB KULICK (white male, 20's). THOUGH HE DOESN'T HAVE LONG HAIR AND ROCK AND ROLL LOOK, GENE AND PAUL LIKE BOB'S PLAYING AND ARE SERIOUSLY CONSIDERING HIM AT THIS POINT.

PAUL

We really like your playing. Do you have a full-time job? Are you available to dedicate your life to rock and roll?

BOB

I'm twenty four, seven with it. That's what it takes. 

GENE

Who are your influences?

BEFORE BOB CAN ANSWER, A THIN RUBBERY LOOKING GUY WITH LONG STRINGY HAIR IS CAUSING A RUCKUS AS HE DRAGS HIS AMP ACROSS THE ROOM AND PLUGS IN HIS GUITAR. GENE, PAUL AND BOB STOP TALKING AND LOOK AT THE GUY. HE PLUGS IN HIS GUITAR AND STARTS PLAYING. HE DOESN'T EVEN INTRODUCE HIMSELF OR SAY ANYTHING.

PAUL

Hey! Who the fuck are you? We're talking, over here. 

THE GUY IGNORES PAUL AND KEEPS PLAYING. IT SOUNDS AMAZING. LIKE JIMMY PAGE OF LED ZEPPELIN. GENE AND PAUL ABANDON BOB, PUT ON THEIR GUITARS AND START PLAYING ALONG. PETER JUMPS BEHIND HIS DRUM SET AND JOINS IN. IT SOUNDS AMAZING. THEY JAM FOR A LITTLE THEN STOP.

PAUL

Your entrance was rude and uncalled for. But, what's your name?

ACE

Paul, but you can call me Ace from outer space. Ha, ha, ha. (A really loud and annoying laugh.)

GENE

That's some laugh you got there Ace.

PAUL 

Outer space? Are you sure you're human.

ACE

I'm sure that I'm not. Ak, ak! 

PAUL

Gene, I don't know about this guy. We're running a band, not a mental institution.

PETER

But you gotta admit. We got chemistry, the four of us.

PAUL

It is undeniable.

GENE AND PAUL WALK OVER TO BOB

GENE

(To Bob) Can you give us your phone number and we'll give you a call if we wanna jam another time. 

BOB LOOKS ANNOYED BUT WRITES DOWN HIS PHONE NUMBER AND HANDS IT TO GENE. BOB WALKS OUT AND GENE AND PAUL WALK BACK OVER TO PETER AND ACE.

PAUL

My name is Paul. So, we'll stick to calling you Ace.

GENE

Wanna join the band?

ACE

(Shrugs shoulders) Sure, I'm not due back on Planet Jendell for a while. Ha, ha, ha.

PAUL

Gene, maybe we should think about it.

PETER

I know magic when I hear it. If you don't let Ace join the band, I'm gonna quit and start my own band with him.

PAUL

You're crazy. You don't even write songs. Is your band going to be one big drum solo?

GENE

(to Paul) We'll keep him in line. How nuts can he be? So, Ace, are you in?

ACE

(In Curly of The Three Stooges Voice) 

Coytanyly. 

PETER

I like this guy. He's a riot. Nice to meet you Ace.

ACE

Ak ak.

GENE

If you can drop the ak-ak act meet us here tomorrow at noon. 

ACE 

What do you call the band?

PAUL

We haven't picked a name yet?

ACE

How about The Spacemen? 

GENE

No.

PETER

The Rowdies?

GENE

No.

PAUL

I know. KISS. Short, sweet and sexy. 

GENE

KISS. Not bad.

PETER

I like The Rowdies.

ACE

How about The Jendell Four?

PAUL

No, Ace. We'll call ourselves, 'KISS.'

CUT TO: GENE, PAUL, PETER AND ACE JAMMING AT A REHEARSAL SPACE WORKING ON SONGS FOR A DEMO. THEY ARE PLAYING, "DEUCE," WITH GENE ON VOCALS.

CUT TO: GENE, PAUL, PETER IN A RECORDING STUDIO AS THEY RECORD THEIR FIRST DEMO. THE ENGINEER CAREFULLY PLACES THE MICS EXACTLY WHERE THEY NEED TO BE.

PAUL

Where's Ace, damn it. He's late.

GENE

(To Peter) Hope your boy wasn't captured and put back into the mental institution.

PETER

Maybe he got called back to Planet Jendell.

PAUL

We're ready to start and he's about to be costing us money.

ACE STUMBLES IN WITH HIS GUITAR CASE. 

PAUL (cont.)

Careful, Ace. The engineer just spent an hour placing the mics exactly where they need to be. Don't move anything.

AS ACE SWINGS HIS GUITAR TO PUT AROUND HIS NECK HE KNOCKS OVER A MIC IN FRONT OF HIS AMP.

PAUL (cont.)

(agitated) Ace, I said be careful.

ENGINEER IS BEHIND THE STUDIO GLASS READY TO ROLL TAPE.

ENGINEER

You guys ready?

ACE

Does Groucho Marx smoke a cigar? Ha, ha, ha.

THE BAND IS READY TO ROLL. PETER CLICKS OFF THE COUNT WITH HIS DRUM STICKS.

PETER

One, two, three, four.

THE BAND LAUNCHES INTO, "DEUCE." 

CUT TO: ENGINEER BOBBING HEAD DIGGING WHAT HE HEARS. 

CUT TO: THE BAND STARTS NEXT SONG, "STRUTTER," WITH PAUL SINGING LEAD VOCAL. SONG ENDS.

ENGINEER

That's a take. 

ACE

Wow, I sounded amazing. Ak, ak. Might have to postpone my trip back to Planet Jendell.

PAUL

You sounded amazing because the song is amazing. And, the four of us sound amazing together. There's never been a hit record that's just an extended guitar solo with no lyrical melody.

PETER

I could have played it better, but this studio is too hot. Hey, can someone turn up the air conditioning?

PAUL 

If the engineer says it's ok, walk over and turn it up yourself.

PETER

You're closer. And, I have the toughest job in the band. Drumming is the most physical part.

 

ENGINEER

I'll turn it up, Peter.

CUT TO: KISS LISTENING BACK TO THE DEMO WITH THE ENGINEER IN THE STUDIO. ACE IS DRAWING ON A PIECE OF PAPER.

ENGINEER

Wow, this demo almost sounds like a finished product ready for pressing. 

PAUL

We're very well rehearsed. 

GENE

We're gonna be huge. I'm gonna be getting laid a lot.

ACE

A first time for everything. Ha ha ha.

PAUL

We gotta book some showcase gigs and invite some industry people. Now, that we've got a professional demo we can use it to get signed to a label. 

PETER

Yeah, someone has to pay for the booze and hookers.

ACE HOLDS UP THE PIECE OF PAPER WITH A  DRAWING. IT'S A STYLIZED LOGO SPELLING OUT, "KISS."" 

PETER

I love it.

PAUL

Nicely done, Ace. I think I can make some improvements, though.

PETER

It looks great, Paul. Just leave it the way it is. 

GENE

Not bad. Give it to me. I'll use it to print up fliers for the showcase. Every music and entertainment executive in the City is gonna get an invite.  

CUT TO: KISS AT THEIR REHEARSAL SPACE WITH MAKEUP KITS IN FRONT OF MIRRORS. THEY APPLY MAKEUP ON THEIR FACE FOR THE FIRST TIME. GENE IS WEARING BLACK LEATHER BIKER JACKET AND HIGH HEEL BOOTS. PAUL IS WEARING LEATHER PANTS, LEATHER SUIT STYLE JACKET WITH NO SHIRT AND HIGH HEEL BOOTS. PETER IN A LONG SLEEVED BLACK WITH SEQUENCE. AND ACE IN A SILVER/METALLIC LONG SLEEVE SHIRT AND CONVERSE ALL-STARS. ONE RED SHOE AND ONE ORANGE SHOE. IT TAKES ABOUT AN HOUR TO APPLY THE MAKEUP. THEY FINISH. AND, FOR THE FIRST TIME IT'S THE BAND IN THEIR KABUKI STYLE MAKEUP.

PETER

(singing to, 'Batman' Theme) Na na na na na na na na, Catman!

ACE

It's Ace from outer space.

GENE

(Grumbles and gives a brooding look like a demonic vampire and sticks out his very long tongue.) Grrrr.

PAUL

(shouts in a high pitched voice) Rock and row-wol! 

IT THE INITIAL LOOK OF KISS IN MAKEUP AND COOL LOOKING ROCK AND ROLL ATTIRE THAT YOU DON'T SEE WALKING DOWN THE STREET.

GENE

Gentlemen, I smell the money. We're gonna be rich. 

PETER

(sarcastic) They say there's more to life than money, Gene. Is there?

GENE

Yes. Women. Women to be f*cked by Gene Simmons of KISS.

CUT TO: DIPLOMAT HOTEL IN NEW YORK CITY. THE MOST RUN DOWN HOTEL IN NEW YORK CITY. IT'S MAIN CLIENTS ARE PROSTITUTES AND THEIR JOHNS. BUT, THEY HAVE A BALLROOM WHERE KISS HOLDS THE CONCERT. PEOPLE FILE INTO THE BALLROOM FOR THE KISS CONCERT INDUSTRY SHOWCASE. ABOUT A HUNDRED PEOPLE ATTEND.

LIGHTS GO OUT. KISS TAKES TO THE STAGE. 

ANNOUNCER 

(heard through the sound sytem) Ladies and Gentlemen (beat) put your lips together for KISS.

THE BAND BUSTS OUT INTO, "DEUCE." THE FANS CLAP AT THE FINISH.

PAUL

This song is for every alcoholic in New York City. And, that includes us. This song is called, "Cold Gin."

THE BAND PLAYS, "COLD GIN." CROWD CHEERS WHEN SONG FINISHES.

PAUL

This is gonna be our single, "Nothing To Lose."

BAND PLAYS, "NOTHING TO LOSE," THEN, "STRUTTER." CROWD CHEERS AFTER EACH SONG.

PAUL

This song is for teenaged girls. It's called, "Firehouse." 

BAND PLAYS, "FIREHOUSE." AS SONG IS ENDING GENE HOLDS UP A LIT TORCH AND BLOWS KEROSINE ON THE TORCH CAUSING A GIANT FLAME BALL TO GO UP IN THE AIR. 

AFTER THE SHOW A GENTLEMAN IN A SUIT WALKS OVER TO THE SIDE OF THE STAGE. HIS NAME IS BILL AUCOIN. HE'S AN ENTERTAINMENT EXECUTIVE WHO GENE SENT AN INVITATION TO.

BILL

Gentlemen, my name's Bill Aucoin. I received your invite and had to stop by and see what all the hoopla was about. You sound great. I've never seen or heard anything like it. Tremendous energy.

BILL EXTENDS HAND AND SHAKES EACH BAND MEMBERS HAND.

BILL (cont.)

I think I can get KISS signed to a major record company. Give me thirty days. If I don't get the you signed, we can part ways. No strings attached.

BILL PULLS OUT A BUSINESS CARD AND GENE REACHES OUT AND TAKES IT.

BILL (cont.)

Call my office. Set up an appointment with my secretary for a meeting. I'm available whenever you are. But, think about it. Because, I'm warning you: If you don't want to become the biggest band in the world, then don't even call. 

GENE

We'll call.

BILL

Thanks guys. You're fantastic. I'm blown away. Talk to you soon.

ACE

(To Bill) Have you ever been to Planet Jendell?

PAUL

Shut up, Ace.

ACE

Just checking. Ha ha ha.

GENE

(To Bill) Don't mind Ace. His brain is in the repair shop. 

BILL

I've been in the business a long time. The good ones are always a little off, aren't they? 

ACE

And, the best ones are always a lot off. Ha ha ha. 

BILL 

(playing along) Then you must be the best, Ace. (Chuckles.)

PAUL

That's enough, Ace. Don't blow it before you have it. 

PETER

Thanks for coming, Mr. Aucoin. We really appreciate it. Next time we'll hopefully be in a venue with better acoustics.

BILL EXITS

CUT TO: KISS AT BILL AUCOIN'S OFFICE

BILL

Gentlemen, I sent your demo to my friend Neil Bogart at Casablanca Records. He thinks your songs are definitely marketable. He has a distribution deal with Warner Brother Records and he's agreed to sign you Casablanca.

PETER

(totally excited and shouts) Yes!

GENE

Easy, Peter. 

PAUL

How does he like our look?

BILL

He hasn't seen you guys, yet. He's only heard the cassette demo. But, that's all he needed based on my assurance of your killer live show. We need to get you into the studio to record your first album. And, set up a photo shoot.

CUT TO: PHOTO SHOOT SESSION WITH KISS IN FULL MAKEUP. THE PHOTOGRAPHER WALKS INTO THE STUDIO AND SEES KISS.

PHOTOGRAPHER

(laughs.) Ha ha. You guys look hilarious. Are you some kind of kid's band? I have some red rubber noses in back you can use. You're a circus act?

PETER

Fuck you, man. 

PAUL

No. We're a hard rock act. And, definitely not for kids. 

PHOTOGRAPHER

(chuckles) Common, what is this, 'Candid Camera?' You guys can't be serious. Not with that clown makeup on.

GENE

It's not clown makeup, you clown. Make any more smart aleck comments and I'll bite your face off.

PAUL

Sorry we don't look like every other average run-of-the-mill band in need of a shave. 

PHOTOGRAPHER

Alright. You guys are the clients. I'll do whatever you want.

GENE

Then shut up and do your job. We're not paying for your commentary.

PHOTOGRAPHER LOOKS UP AND DOWN AT GENE

PHOTOGRAPHER

Wake up on the wrong side of the coffin?

GENE

(snarls and growls) Grrrrr.

PHOTOGRAPHER SNAPS PICTURE OF GENE.

PHOTOGRAPHER

That's good. Show me what you got.

THE BAND STRIKES POSES AND THE PHOTOGRAPHER CONTINUES TAKING PHOTOS.

CUT TO: WARNER BROTHERS RECORDS OFFICE. A BUNCH OF EXECUTIVES SITTING AROUND A BIG CONFERENCE TABLE IN SUITS. NEIL BOGART WALKS INTO THE ROOM WITH A COPY OF THE KISS ALBUM WITH THEIR MAKEUP PAINTED FACES ON THE COVER. NEIL PUTS THE RECORD ON THE TURNTABLE AND PLAYS IT. THE ALBUM COVER IS PASSED AROUND THE CONFERENCE TABLE FOR ALL THE EXECUTIVES TO SEE. THEY LOOK CONFUSED.

EXECUTIVE ONE

Wow. Sounds great, Neil.

EXECUTIVE TWO

Very heavy. Fits in with the hard rock format. 

EXECUTIVE THREE

What's with the album cover? What the hell is this? These guys look ridiculous.

NEIL

That's their look. Four unique characters based on their personalities. Like superheroes or something. Gotta stand out in this crowded marketplace. 

EXECUTIVE THREE

There is no way I can work this record if this is what the band looks like.

EXECUTIVE TWO

You say, 'superheroes.' You mean circus clowns? I agree. No way can I take this to radio. I'll get laughed out of the business.

EXECUTIVE ONE

Neil, we won't work this this record. No way. Can you get them to take off the makeup and re-shoot the album cover.

NEIL

The band is very committed to the look. They are very theatrical. I'll talk to their manager Bill Aucoin and tell them how you feel.

CUT TO: NEIL BOGART ON THE PHONE WITH BILL AUCOIN

NEIL

Warner Brothers just won't work the record if the band is wearing the makeup. They feel they'll get laughed out of the business and radio won't take their calls for any of their bands. They are too embarrassed by it all.

BILL

The band is very firm. They won't budge. They have this whole concept based and the makeup is part of it. I talked to them about it. It's a closed case. They know how some people feel. They just don't care. These guys are kinda crazy to begin with. But, they're gonna be huge.

CUT TO: NEIL, BILL, GENE, PAUL, PETER, ACE IN NEIL'S OFFICE AT CASABLANCA RECORDS

NEIL

Look, guys. I believe in you and Bill believes in you. But, Warner Brothers will not work the record. I convinced them to let Casablanca Records out of our distribution deal with Warner Brothers. They fund a lot of what we do. But, I want to move forward with KISS. And, I think in the end, it will pay off. 

GENE

You bet it will. We are going to be the biggest band in the world. And, Warner Brothers can kiss our ass. No pun intended. 

BILL

But, guys. This means there isn't any money for promotional support. We're on our own. There's no advance money to pay the band. I'll try to put some expenses on my credit card to get the band rolling. But, it's gonna be tight. 

PETER

So you mean we're gonna have to be rich and famous without being rich?

NEIL 

At least for now. I'm putting up all the money to press and distribute the records. 

BILL

I'll get KISS booked as an opening act on a tour. I'll pay each of you sixty dollars a week, for now. 

CUT TO: RECORD STORE CLERK WHO PUTS THE DEBUT KISS ALBUM ON THE NEW RELEASES SHELF.

CUT TO: RADIO DJ WHO TAKES KISS ALBUM OUT OF MAILING ENVELOPE. HE LOOKS AT THE ALBUM COVER WITH A CONFUSED LOOK. HE FILES IT AWAY WITHOUT LISTENING.

CUT TO: BILL, GENE, PAUL, PETER, ACE IN BILL'S OFFICE

BILL

The first week album sales aren't so hot. And, the album hasn't quite caught on with radio, yet. But, I'll book you in some small clubs. 

KISS EMBARKS ON THEIR FIRST SMALL CLUB CONCERT TOUR. STAGE PROPS INCLUDE FIRE ENGINE LIGHTS, DRUM RISER, SPARKLING DRUM STICKS, GENE SPITTING BLOOD AND BREATHING FIRE, LIGHTED KISS LOGO, FLAMETHROWERS AND ACE'S SMOKING GUITAR.

KISS DRIVES IN A STATION WAGON DOWN THE HIGHWAY TO THEIR FIRST SHOW, ACE IS EATING BEANS OUT OF A CAN. HE PASSES THE CAN TO GENE WHO SCOOPS SOME WITH A SPOON. PAUL IS DRIVING.

ACE

Hey, Gene. You know why a can of Heinz Beans only has 239 beans? 

GENE

I don't want to know, Ace.

ACE

Because if it had one more it would be too farty. (As in 240.)

PETER

(laughs) Ha ha.

PAUL

That's really bad, Ace.

PETER

Hey, Paul. Pull over, I gotta pee.

PAUL

You just pee'd at the gas station.

PETER

What can I tell ya? I got a nine inch d*ck and it holds a lot pee.

ACE

(busts out laughing) Ha haaaaa.

PAUL

Ace, shut up. That's not even funny.

PAUL PULLS THE STATION WAGON OVER TO THE SIDE OF THE HIGHWAY. PETER JUMPS OUT AND PEES.

CUT TO: KISS ON STAGE PERFORMING, "FIREHOUSE." THE FIREHOUSE SIRENS START AND GENE PULLS OUT THE FLAMING TORCH FROM BEHIND THE STAGE AND HOLDS IT UP IN THE AIR. HE SPITS THE KEROSINE INTO THE FLAME FOR THE FIRE BREATHING STUNT BUT THE FLAME CATCHES HIS HAIR ON FIRE. A ROADIE RUNS UP TO GENE AND PUTS OUT THE FIRE WITH A WET TOWEL. GENE THROWS DOWN THE TORCH AND THE BAND HITS THE FINAL CHORD LIKE NOTHING WRONG HAPPENED, AT ALL.

CUT TO: AUDIENCE LOOKING SHOCKED. AN AUDIENCE MEMBER TURNS TO FRIEND NEXT TO THEM.

AUDIENCE MEMBER ONE

Was that supposed to happen?

AUDIENCE MEMBER TWO

Yeah, I think so.

AUDIENCE MEMBER ONE

These guys are awesome! Beach Boys never did any shit like that. 

CUT TO: BILL AUCOIN IN HIS OFFICE ON THE PHONE WITH GENE AT THE HOTEL ROOM. PAUL, PETER AND ACE IN THE ROOM, TOO, WITH GENE. 

BILL

I'm hearing good things from the club owners. They say the crowd is into your act. Some of the clubs even want you to return in a couple months for more shows. 

GENE

I'm not surprised.

PETER GRABS PHONE FROM GENE

PETER

Bill, make sure you don't book us at, 'The Roadhouse,'in Harrisburg, again. I won't play there. The cocktail waitress was rude.

BILL

(chuckles) Alright, Peter. 

PETER HANDS PHONE BACK TO GENE

BILL (cont.)

I got KISS a slot as opening act for Argent, in Canada. They're playing 2000 seat concert halls, there. You get eight songs. But, you can't use the flashing KISS sign as a backdrop. And, no smoke or effects. Just the straight up musical performance.

GENE

Gee, Bill. I don't know...

BILL

(cuts off Gene) Look. We're gonna take in more money opening for Argent than the club dates. I'm bankrolling your tour with my credit card. And, I'm behind on the payments. You're music stands on it's own and the crowd will love KISS and tell all their friends. And, maybe they even buy some records. 

GENE

How's the record selling? 

BILL

Don't ask. That's not what important, right now. Getting KISS word of mouth is most important. 

GENE

Ok. 

GENE HANGS UP PHONE.

PAUL

What did he say?

GENE

We're gonna open for Argent in Canada. They're playing to 2000 people a night. Good exposure. We'll take no prisoners and blow the crowd away. Argent won't even want to go on stage, after us.

CUT TO: KISS OPENING FOR ARGENT AT THE 2000 SEAT THEATER.

ROLL VIDEO MONTAGE: GENE BREATHES FIRE. ACE'S GUITAR SMOKES. FLAMETHROWERS BLOW FIRE. PETER'S DRUM RISES. FIRE SIRENS GO OFF. ALL THE EFFECTS ARE USED. KISS FINISHES THEIR THEIR EIGHTH SONG AS PLANNED.

CUT TO: AUDIENCE STANDING UP AND CHEERING. KISS BLEW THE ROOF OFF THE CONCERT HALL. THE CROWD LOVED IT. THEY ARE CHEERING FOR MORE AS ARGENT LOOKS AT THE BAND FROM SIDE OF THE STAGE. ARGENT IS FURIOUS. THE BAND USED EVERY EFFECT WHEN THEY WEREN'T SUPPOSED TO AND THE CROWD WANTS MORE. THE BAND STARTS TO PLAY A NINTH SONG. ARGENT ROADIE SHUTS OFF THE POWER TO KISS' AMPS. THEY CAN'T EVEN THANK THE CROWD. KISS WAVES TO THE CROWD AND RUNS OFF THE STAGE.

ARGENT MANAGER IS WAITING FOR KISS.

ARGENT MANAGER

Alright guys. You're off the tour. Thanks and have a nice evening.

GENE

Oh, common. You're not afraid to follow us, are you? 

ARGENT MANAGER

Thanks guys, goodnight.

ACE

Ak ak. Ha ha haaaa. 

CUT TO: BILL AUCOIN'S OFFICE ON THE PHONE WITH GENE AND PAUL BACK AT THE HOTEL THE NEXT MORNING. PETER AND ACE ARE IN TO ROOM, TOO.

BILL

Gene, what happened? Argent is furious. They kicked you off the tour.

GENE

So we heard. Who cares. Those guys are losers.

I told you we take no prisoners and if they can't take it, so be it. 

PAUL

We refuse to disappoint fans because ever other rock band is lazy and average.

BILL

I hope you guys can get by without any extra money. Because there isn't going to be any, for now. I'll try to get you booked on another tour and see what happens.

GENE

Ace, pass the beans. It's gonna be lean times. 

CUT TO: BILL AUCOIN OFFICE. DICK CLARK OF ABC-TV IS CALLING. BILL PICKS UP THE PHONE.

BILL

Dick, nice to hear from you. Thanks for calling. 

DICK

Thanks for taking my call. I saw Neil Bogart at an industry event last night an he tells me you have a group that's quite the spectacle. Very visual. Good for television.

BILL

You must mean KISS. Yes, indeed. A rock and roll spectacle as never seen before.

DICK

I hear the bass player spits blood and breathes fire. All kinds of sirens and flames and smoke. And, they're all painted up like Halloween characters.

BILL

(chuckles) Yeah, it's quite a scene. Alice Cooper to the next level. They're quite proud they got kicked off the Argent tour. It's tough getting them booked as an opening act. Because, no one can follow them.

DICK

Sounds perfect for my ABC, "In Concert" show. I'd love to have them. 

BILL

Dick. You have no idea what you mean to the band. The guitar player, Paul, watched you ever day of his life. He lived for your show. I don't know how to thank you enough. 

DICK

Just ask the guy who breathes fire to breath it away from me. They get to do five songs. We're filming at the Aquarius Theater in L.A., next Thursday at five.

BILL 

Thanks, Dick. I'll see you there. 

DICK 

Can't wait.

BILL HANGS UP PHONE THEN PICKS IT UP AGAIN AND DIAL KISS AT THE REHEARSAL STUDIO. GENE ANSWERS TO THE PHONE.

GENE

Hello, Bill.

BILL

Gene, have you and the boys ever been to Los Angeles?

GENE

Not yet.

BILL

Well, I hope you like it because that's where you're going. I just got a call from Dick Clark. He just booked KISS for ABC, "In Concert." You film next week.

GENE

(shouts to Paul down the hall) Paul! Get over here. 

PAUL RUNS DOWN HALL TO GENE

PAUL

What? This better be good news.

GENE

Here, Bill can tell you.

PAUL TAKES PHONE FROM GENE

PAUL

Bill, what is it?

BILL

Ever hear of Dick Clark?

PAUL

Ha, ha. Why?

CUT TO: KISS TOGETHER IN THE RECORDING STUDIO JUMPING UP AND DOWN CELEBRATING THE NEWS.

PETER

Are we flying first class? I can't be all cramped up in coach.

PAUL

For a guy who said, "willing to do anything to make it," you sure have a long list of things you won't do.

GENE

I hear the women are beautiful in Los Angeles. And, easy. Wow, are they lucky I'm coming.

ACE

Coming. Ak ak.

CUT TO: KISS AT ABC, "IN CONCERT" AT THE AQUARIUS THEATER IN L.A.

ROLL MONTAGE: KISS PERFORMS, "DEUCE," "NOTHIN' TO LOSE," "FIREHOUSE," "BLACK DIAMOND," WITH ALL THE FIRE AND EFFECTS.